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Lost-and-found angstage from the greatest. Cut with SPOT for MGTC but unmixed until 1998, this one trickled from The Last to the Descendents before escaping non-posthumous release. Chainsaw pop at its purest, the thick Navetta tones both prickly and warm, Milo's wounded cords spitting little dissertations on the outcast's episteme. In every sense, a national treasure.
"Like the Way I Know"
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